In: Art History| Catholocism| Cultural History| Ferrara| Historical Fiction| Italy
21 Apr 2010Having been having the time of my life on this book tour. I wish I could say it has come from selling books (I fear the days of book shops gigs are numbered) but also because the time you actually get to do that – to really talk to people and start a conversation about writing and the book – is so limited. ( There is a Jackson Brown song that contains the line. “And the only time that seems to short is the time that we get to play” Well, that is how it feels on a book tour. )
But in cities like Portland and Nashville after the gig is finished I’ve been lucky enough to find good music to listen to. (Thank you Jan for driving me round the edges of Portland!) And i have been knocked out by the bands, and especially, given what I have been writing about, the women. There are women out there with fabulous voices, great action on the guitar and such stage presence. And it has made me think deeply about Sacred Hearts and how relatively recently it has been that women have the freedom and the respect to be appreciated and noticed as musicians and public performers
In my convent in Sacred Hearts women sung because they were praising God. But what was clear to me researching the book is that they also sung because they loved music and many of them have fabulous voices. They would never be allowed to perform outside the convent, as at the time I am writing it was simply not a respectable job for a well bred woman.
So, as I sat in those bars in Portland and heard Tama belting out Stormy Monday I just wanted to raise a glass to how far history has brought us
If you know any women out there who like to sing get them to read Sacred Hearts to find out how the managed to subvert the rules, and then listen to what they sounded like on the podcasts. You will not be disappointed
And if you happen to live near Brighton in England , then come to St Batholomews church on May 3rd and hear the book being dramatised with myself and actresses and a whole choir of women who five hundred years ago, might have been nuns.! It will be something. I can promise you.
... to my open forum. Although I will be posting my own ideas, thoughts, and experiences the primary aim of this blog is to broaden the discussion long after the last page has been turned. Please feel free to comment on my books, art history, culture, media, herbalism, travel, literature, history, etc. Engaging with my audience and connecting people through dialogue is important to me, so don't be shy.
8 Responses to when women couldn’t sing
Elizabeth Loupas
April 21st, 2010 at 6:58 pm
Hi, Sarah… I am a big fan and loved SACRED HEARTS.
You know, there were respectable secular ladies who sang publicly at the court of Ferrara, only slightly later than the time of SACRED HEARTS. Alfonso II d’Este’s Concerto delle Donne was officially formed about 1580, and the ladies actually sang informally for the duke and the court in the 1570s. If only Duke Alfonso could have heard Serafina sing… perhaps he would have developed his consort of professional singing ladies a few years earlier!
Tammy
April 22nd, 2010 at 7:54 pm
That’s Tammy, not Tama. I know, it *was* very loud in that bar. At least Portland isn’t smoky anymore. I wish I could make it to St. Bartholomews. I’ll just have to go out and do some singing myself in honor of the day…
Tammy
Mary Hehir
April 23rd, 2010 at 2:00 am
I am immersed in Sacred Hearts currently. It’s one of the best books I’ve ever read! How can you write about life in a convent in Ferrara in Renaissance Italy as though you had actually LIVED it?? It’s truly amazing!
Sarah Dunant
April 25th, 2010 at 11:41 am
Aaah Mary, you don’t know how nearly I gave up on this book during the first months of writing. So thank you for the graceful praise. I am about to go into the library in search of the next one, so your words will keep me warm when the going gets tough. As it always does!!!!
Sarah Dunant
April 25th, 2010 at 11:43 am
Tammy, they’ll be an eight hour difference. So I guess that we”ll sing first, then you can sing afterwards while we sleep it off. Please include stormy Monday in your set.
Sarah Dunant
April 25th, 2010 at 11:47 am
Oh yes, yes Elizabeth I know about them. In fact one of the two fabulous women who started Musica Secreta who I am working with on this concert is currently researching a book on those very ladies. But Ferrara was unusual as I am sure you know too. When I talk about SH I wlays menton that at the time it is set Shakespeare would have been 6 years old and was going to write the greatest canon of dramatic works ever known to man, with fabulous parts for women, but that during his lifetime ( and afterwards) they all would have been played by men. History! Amazing eh?
Elizabeth Loupas
April 26th, 2010 at 1:46 pm
I will be first in line to buy a book about the singing ladies of Alfonso II’s court! It is truly an amazing and unexpected story, and one that should be better-known. Ferrara was (and is) unusual indeed.
Alexandra Korey
April 26th, 2010 at 8:32 pm
Now I know I’ll have to pick up Sacred Hearts at the English bookstore here in Florence! I have read all of your other books, Mrs. Dunant, and enjoyed them. I’m a harsh critic as I’m a professor of art history, but I’ve always found your research impeccable.
I wonder where you will find your next story. I hope it’s still in Italy… maybe here in Tuscany? Or maybe down south…